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Middle-aged history professor George, and his wife Martha, are joined by another college couple. The result is an all-night drinking session that erupts into a nightmare of revelations.
A true modern classic from one of the twentieth century's most significant writers, Long Day's Journey into Night is an intensely autobiographical, magnificently tragic portrait of the author's own family - a play so acutely personal that he insisted it was not published until after his death. One single day in the Tyrones' Connecticut home. James Tyrone Snr is a miser, a talented actor who even squanders his talent in an undemanding role; eldest son Jamie is an affable, whoremongering alcoholic and confirmed ne'er-do well; youngest son Edmund is poetic, sensitive, suffering from a respiratory condition and deep-seated disillusionment; and their mother Mary, living in a haze of self-delusion and morphine addiction. Existing together under this roof, and the profound weight of the past, they subtly tear one another apart, shred by shred. 'Set in 1912, the year of O'Neill's own attempted suicide, it is an attempt to understand himself and those to whom he was irrevocably tied by fate and by love. It is the finest and most powerful play to have come out of America' Christopher Bigsby Eugene O'Neill's play Long Day's Journey into Night was written in 1939-41, and first published in 1956 (after O'Neill's death in 1953). It was first performed at the Royal Dramatic Theatre, Stockholm, in February 1956, and had its first American production at Helen Hayes Theater, New York, in November that year. It won the Tony Award for Best Play, and O'Neill was posthumously awarded the 1957 Pulitzer Prize for Drama. This edition includes a full introduction, biographical sketch and chronology.
HarperCollins is proud to present its new range of best-loved, essential classics. 'Blow, winds, and crack your cheeks! rage! blow!' Epic and tragic in its scope, King Lear explores a king's demise into madness and insanity when he is betrayed by two of his manipulative and scheming daughters. It is Cordelia, the third and only daughter who refuses to flatter her father to deceive, who is banished from the kingdom, leading to dramatic and tumultuous events.
HarperCollins is proud to present its new range of best-loved, essential classics. 'My Oberon! what visions have I seen! Methought I was enamoured of an ass.' When four young lovers flee from Athens and become lost in an enchanted wood, they stumble into a fairy world where King Oberon, and Queen Titania, are feuding over ownership of a young Indian prince. Seeking his revenge on Titania, Oberon and his servant Puck begin a magical, yet farcical chain of events where all become interwoven in a comedic and mischievous play about the difficulties of love.
Harper Collins is proud to present its new range of best-loved, essential classics.  'Did my heart love till now?  Forswear it, sight! For I ne'er saw true beauty till this night.'  Arguably the greatest love story ever told, Shakespeare's Romeo and Juliet continues to touch modern audiences with its passionate depiction of the tragic romance between two young lovers. With a bitter feud between their respective families, Romeo and Juliet's love is troubled from the start, and through their relationship, Shakespeare shows the fine line between love, hatred, comedy and tragedy.
HarperCollins is proud to present its new range of best-loved, essential classics. 'Though this be madness, yet there is method in't.' Considered one of Shakespeare's most rich and enduring plays, the depiction of its hero Hamlet as he vows to avenge the murder of his father by his brother Claudius is both powerful and complex. As Hamlet tries to find out the truth of the situation, his troubled relationship with his mother comes to the fore, as do the paradoxes in his personality. A play of carefully crafted conflict and tragedy, Shakespeare's intricate dialogue continues to fascinate audiences to this day.
HarperCollins is proud to present its new range of best-loved, essential classics. 'O, beware, my lord, of jealousy! It is the green-eyed monster which doth mock The meat it feeds on.' Dramatic and powerful in its scope, Othello explores the perils of suspicion and jealousy and the ensuing breakdown of relationships and disaster that can arise from such emotions. Othello, a revered soldier, secretly marries Desdemona, the daughter of a Venetian senator, but is led to believe that she has been unfaithful to him by his ensign, Iago, leading to tragic events. .
HarperCollins is proud to present its new range of best-loved, essential classics. 'All the world's a stage, And all the men and women merely players.' Featuring Rosalind, one of Shakespeare's most likeable and strong female protagonists, As You Like It is a comedic play centred around concealed identity, love, exile and artifice. Banished from the court by her uncle, Rosalind flees to the forest with her cousin Celia and her jester, joining her already exiled father, and disguising herself as a boy. In the guise of a young man, she instructs her would-be lover Orlando in the ways of love and in doing so allows Shakespeare to explore the dynamics of the city and the country as well as the sexual politics of the time.
'Yes, you squashed cabbage leaf . . . you incarnate insult to the English language: I could pass you off as the Queen of Sheba' Pygmalion both delighted and scandalized its first audiences in 1914. A brilliantly witty reworking of the classical tale of the sculptor who falls in love with his perfect female statue, it is also a barbed attack on the British class system and a statement of Shaw's feminist views. In Shaw's hands, the phoneticist Henry Higgins is the Pygmalion figure who believes he can transform Eliza Doolittle, a cockney flower girl, into a duchess at ease in polite society. The one thing he overlooks is that his 'creation' has a mind of her own. George Bernard Shaw's classic play and satire of the British class system, first performed in 1913.
Although Oscar Wilde (1854-1900) created a wide range of poetry, essays, and fairy tales (and one novel) in his brief, tragic life, he is perhaps best known as a dramatist. His witty, clever drama, populated by brilliant talkers skilled in the art of riposte and paradox, are still staples of the theatrical repertoire. An Ideal Husband revolves around a blackmail scheme that forces a married couple to reexamine their moral standards -- providing, along the way, a wry commentary on the rarity of politicians who can claim to be ethically pure. A supporting cast of young lovers, society matrons, an overbearing father, and a formidable femme fatale continually exchange sparkling repartee, keeping the play moving at a lively pace. Like most of Wilde's plays, this scintillating drawing-room comedy is wise, well-constructed, and deeply satisfying. An instant success at its 1895 debut, the play continues to delight audiences over one hundred years later. An Ideal Husband is a must-read for Wilde fans, students of English literature, and anyone delighted by wit, urbanity, and timeless sophistication.
Arthur Miller's extraordinary masterpiece, Death of a Salesman changed the course of modern theatre, and has lost none of its power as an examination of American life. 'A man is not an orange. You can't eat the fruit and throw the peel away' Willy Loman is on his last legs. Failing at his job, dismayed at his the failure of his sons, Biff and Happy, to live up to his expectations, and tortured by his jealousy at the success and happiness of his neighbour Charley and his son Bernard, Willy spirals into a well of regret, reminiscence, and A scathing indictment of the ultimate failure of the American dream, and the empty pursuit of wealth and success, is a harrowing journey. In creating Willy Loman, his destructively insecure anti-hero, Miller defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life'.
'We don't live alone ... We are responsible for each other' A policeman interrupts a rich family's dinner to question them about the suicide of a young working-class girl. As their guilty secrets are gradually revealed over the course of the evening, 'An Inspector Calls', J. B. Priestley's most famous play, shows us the terrible consequences of poverty and inequality. The other powerful plays in this collection - 'Time and the Conways', 'I Have Been Here Before' and 'The Linden Tree' - explore time, fate, free will and the effects of war.
One of the best-known, most frequently performed of modern plays, A Doll's House richly displays the genius with which Henrik Ibsen pioneered modern, realistic prose drama. In the central character of Nora, Ibsen epitomized the human struggle against the humiliating constraints of social conformity. Nora's ultimate rejection of a smothering marriage and life in a doll's house shocked theatergoers of the late 1800s and opened new horizons for playwrights and their audiences. But daring social themes are only one aspect of Ibsen's power as a dramatist. A Doll's House shows as well his gifts for creating realistic dialogue, a suspenseful flow of events and, above all, psychologically penetrating characterizations that make the struggles of his dramatic personages utterly convincing. Here is a deeply absorbing play as readable as it is eminently playable, reprinted from an authoritative translation.
The official playscript of the original West End production of Harry Potter and the Cursed Child. It was always difficult being Harry Potter and it isn't much easier now that he is an overworked employee of the Ministry of Magic, a husband, and father of three school-age children. While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places. The playscript for Harry Potter and the Cursed Child was originally released as a 'special rehearsal edition' alongside the opening of Jack Thorne's play in London's West End in summer 2016. Based on an original story by J.K. Rowling, John Tiffany and Jack Thorne, the play opened to rapturous reviews from theatregoers and critics alike, while the official playscript became an immediate global bestseller. This revised paperback edition updates the 'special rehearsal edition' with the conclusive and final dialogue from the play, which has subtly changed since its rehearsals, as well as a conversation piece between director John Tiffany and writer Jack Thorne, who share stories and insights about reading playscripts. This edition also includes useful background information including the Potter family tree and a timeline of events from the wizarding world prior to the beginning of Harry Potter and the Cursed Child.
J.K. Rowling invites you to explore a new era of the Wizarding World . . . When Magizoologist Newt Scamander arrives in New York, he intends his stay to be just a brief stopover. However, when his magical case is misplaced and some of Newt's fantastic beasts escape, it spells trouble for everyone . . . Inspired by the original Hogwart's textbook by Newt Scamander, Fantastic Beasts and Where to Find Them: The Original screenplay marks the screenwriting debut of J.K. Rowling, author of the beloved and internationally bestselling Harry Potter books. A feat of imagination and featuring a cast of remarkable characters and magical creatures, this is epic adventure-packed storytelling at its very best. Whether an existing fan or new to the wizarding world, this is a perfect addition for any film lover or reader's bookshelf.
Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. Julius Caesar is among the best of Shakespeare's historical and political plays. Dealing with events surrounding the assassination of Julius Caesar in 44 B.C., the drama vividly illustrates the ways in which power and corruption are linked. The cry `Peace, freedom and liberty!' is used to exculpate brutal realities, while personal ambitions taint public actions. Rich in characterisation and replete with eloquent rhetoric, Julius Caesar remains engrossing and topical: a play for today.
Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare's Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. The Tempest is the most lyrical, profound and fascinating of Shakespeare's late comedies. Prospero, long exiled from Italy with his daughter Miranda, seeks to use his magical powers to defeat his former enemies. Eventually, having proved merciful, he divests himself of that magic, his 'art', and prepares to return to the mainland. The Tempest has often been regarded as Shakespeare's 'farewell to the stage' before his retirement. In the past, critics emphasised the romantically beautiful features of The Tempest, seeing it as an imaginative fantasia. In recent decades, however, The Tempest has also been treated as a potently political drama which offers controversial insights into colonialism and racism. Frequently staged and diversely filmed, the play has influenced numerous poets and novelists.
Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. In the hope of saving her brother's life, should a woman submit to rape? Should the law be respected when its administrator is corrupt? How powerful in the state should religion become? Although Measure for Measure ends like a comedy, with reconciliations, forgiveness and marriages, it has often been regarded as one of Shakespeare's problem plays. The drama shows the difficulty of effecting an appropriate balance between judicial severity and mercy, between sexual repression and decadence, and between political vigilance and social manipulation. These problems remain topical, and, in Measure for Measure, they are given immediacy by vivid character-conflicts and memorably intense poetry. This is one of Shakespeare's most probing and powerful works.
Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. Shakespeare's Macbeth is one of the greatest tragic dramas the world has known. Macbeth himself, a brave warrior, is fatally impelled by supernatural forces, by his proud wife, and by his own burgeoning ambition. As he embarks on his murderous course to gain and retain the crown of Scotland, we see the appalling emotional and psychological effects on both Lady Macbeth and himself. The cruel ironies of their destiny are conveyed in poetry of unsurpassed power. In the theatre, this tragedy remains perennially engrossing.
Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. Richard III is one of the finest of Shakespeare's historical dramas. Although it has a huge cast, Richard himself, gleefully wicked, charismatically Machiavellian, always dominates the play: a role to gratify such leading actors as David Garrick, Laurence Olivier, Anthony Sher, Ian McKellen and Al Pacino. Since, in real life, political Machiavellianism is never out of date, Richard III remains perennially topical. Numerous revivals on stage and screen have demonstrated the enduring cogency of this drama about the lethally corrupting quest for power. Richard III is the twenty-first play in the Wordsworth Classics' Shakespeare Series. The Times Literary Supplement says: `Many students and ordinary readers will be grateful to Watts and his publishers for making such useful editions available at such low cost.'
Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. The Merchant of Venice is one of Shakespeare's most popular comedies, but it remains deeply controversial. The text may seem anti-Semitic; yet repeatedly, in performance, it has revealed a contrasting nature. Shylock, though vanquished in the law-court, often triumphs in the theatre. In his intensity he can dominate the play, challenging abrasively its romantic and lyrical affirmations. What results is a bitter-sweet drama. Though The Merchant of Venice offers some of the traditional pleasures of romantic comedy, it also exposes the operations of prejudice. Thus Shakespeare remains our contemporary.
Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. Much Ado About Nothing has long been celebrated as one of Shakespeare's most popular comedies. The central relationship, between Benedick and Beatrice, is wittily combative until love prevails. Broader comedy is provided by Dogberry, Verges and the watchmen. The drama ranges between the destructively sinister and the lyrically romantic, giving the whole a complex and sometimes problematic character. Numerous revivals, in the theatre and on screen, have displayed the lively variety and interpretative openness of this engaging comedy.
Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. Richard II is one of Shakespeare's finest works: lucid, eloquent, and boldly structured. It can be seen as a tragedy, or a historical play, or a political drama, or as one part of a vast dramatic cycle which helped to generate England's national identity. Today, to some of us, Richard II may appear conservative; but, in Shakespeare's day, it could appear subversive: `I am Richard II', declared an indignant Queen Elizabeth. Numerous recent revivals in the theatre and on screen have demonstrated the enduring power and poignancy of this drama of the downfall of an egoistic but pitiable monarch. Richard II is the seventeenth volume in the Wordsworth Classics' Shakespeare Series, in which each volume has been freshly edited by Cedric Watts.
Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare's Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. The Taming of the Shrew is one of the most famous and controversial of Shakespeare's comedies. The central relationship, in which Petruchio boisterously 'tames' a rebellious Kate, has often appeared problematic. In the theatre, it has been treated in a diversity of ways, so that Kate's apparent capitulation varies between the ironic and the sincere. Feminists have been divided in their responses. The provocative vitality of this comedy has been transmitted by numerous adaptations for stage and screen, notably the film directed by Franco Zeffirelli and the Cole Porter musical, Kiss Me, Kate.
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